|
|
Actually, the opposite is true. The early stages of development
are extremely important. It is the time when good or bad habits
are formed and the time when a child's ear is the most receptive. Using
a great teacher at a young age will help ensure your child has a good
start for their musical education.
That would depend on what you mean by 'just have fun'. Every student is different
and one student might have fun doing something whilst another not. For example,
some students love performing and playing in concerts and competitions and
this is very exhilerating for them. Another student might find audiences overwhelming
and much prefer the more quiet achievement of attaining a good grade for an
exam. There are also those that simply enjoy playing their favourite pieces
at home alone or to their family and friends.
One trait is common: there are not many students who really enjoy the
task of practice, but practice is the cornerstone to the wonderful examples
mentioned above. Without sufficient practice, the student doesn't progress,
their pieces are either learnt very slowly or not at all and they simply
don't enjoy the benefits of the playing. This is a very frustrating situation
for everyone. For most students it is the playing that is fun and the
more pieces you play, the more fun it is. However, as previously mentioned,
practice is a task, or put more plainly, it is WORK and as with any kind
of work it will probably require some discipline. However, always
remember that the sense of achievement, each step along the way, makes
it very
worthwhile.
Although a parent does not need to have any prior musical knowledge, a
child will generally progress much faster if help is available at home. Therefore,
at least in the early stages, we encourage parents to attend lessons so the correct
guidance can be given at home during practice.
It never ceases to amaze me how so many parents think they should
be able to leave a five year old to dilligently practice by themselves
every day. The truth is that learning to play the piano is a very complex
activity
that even many teenagers and adults find challenging. It requires
personal characteristics that most young children don't possess, such as
patience, diligence, self-discipline, good comprehension and a clear head.
Most children
are not renowned for these charateristics and so a parent
must fill the gap and help the young child regularly at home. This means
the parent should not only be keeping a constant eye and ear on the practice
but also sit next to their child and guide them on a 'micro' level,
just like they would with school homework. For example, they might read
the lesson notebook to the child, guide them in what kind of practice to
do, help keep them focused on the task at hand, and if experience is anything
to go
by, have
a few arguments about practice!
Now, I don't want to sound like it's all
just hard work because it's not. It should be fun, enjoyable and even
relaxing at times and lets face it, if the student isn't enjoying playing
the piano
there isn't much point to learning.
Every week we set a minimum amount of practice to be completed
by the student depending on the following:
- The age of the student
- The goals that have been previously set by the teacher, parent and
student
- Difficulty of weekly tasks
- Events that are nearing, such as exams, competitions and concerts
As a basic guide for an average student we expect:
- Young Beginner (4-5yrs): 15 minutes per day
- Beginner to grade one: 30 minutes per day
- Grade two: 45 minutes per day
- Grade three or greater: 60-120 minutes per day
We use special teaching methods and materials to teach young children. These
include the well- known solfa (fixed-doh) singing system and Kodaly rhythm
syllables used in many schools, flash cards including our own Treviano Studio
Rhythm Cards, games and a variety of instruments. All these tools enable
us to teach at a much younger age than the more traditional style of teacher.
However, a great deal depends on the childs character, attention span, maturity
level and coordination skills and this could only be determined through an
individual assessment. We find that some children are ready to begin from
the age of four, especially girls who often mature earlier than boys in the
required mental areas.
Yes, you do need a piano. In our opinion the only similarities between
a piano and a keyboard are that they both have black and white keys! The
sound and feel of a piano is entirely different to a digital keyboard and
even the best touch-sensitive keyboards simply don't come close to producing
the tonal nuances that an acoustic piano can. In the past we have taught
students that practised on a keyboard and we noticed a significant disadvantage
to their progress, both musically and technically.
|
|